A Father's Lobe
There's something deeply uncomfortable about grace when you really stop to think about it. It offends our sense of fairness. It violates our carefully constructed systems of merit and reward. And nowhere is this discomfort more beautifully illustrated than in one of the most famous stories ever told—the parable of the lost son.
## An Unlikely Audience
Picture the scene: tax collectors and sinners gathered close, leaning in to hear words of hope. Meanwhile, religious leaders—Pharisees and scribes—stood at a distance, arms crossed, faces tight with disapproval. This mixed crowd would hear three connected stories about lostness and finding, each one building toward a crescendo of grace that would challenge everyone listening.
## Three Pictures of Pursuit
The first story is simple: a shepherd with a hundred sheep loses one and leaves the ninety-nine to search for it. When he finds it, he throws a party. Heaven itself, we're told, erupts in celebration when a single sinner repents.
The second story follows similar lines: a woman loses one of ten coins and turns her house upside down until she finds it. Again, there's rejoicing—not just personal relief, but cosmic celebration.
Both stories establish a crucial truth: God pursues the lost, even when it's inconvenient, even when it seems disproportionate, even when the cost appears too high.
But the third story goes deeper.
## The Son Who Ran Away
The younger of two sons does the unthinkable. In Middle Eastern culture, asking for your inheritance while your father still lives is essentially saying, "I wish you were dead." It's not just disrespectful; it's a complete severing of relationship. Yet the father grants the request.
The young man takes everything and leaves. He travels to a distant country and burns through his inheritance in wild, reckless living. When the money runs out, so do his friends. A famine strikes. He ends up feeding pigs—a job so degrading for a Jewish person that it's hard to overstate the depths of his fall.
Hungry, desperate, and alone, something shifts. The text says "he came to himself"—a beautiful phrase suggesting that sin is a kind of insanity, a departure from our true identity. In that moment of clarity, he realizes that even his father's hired servants live better than he does now.
He rehearses a speech: "Father, I have sinned against heaven and before you. I am no longer worthy to be called your son. Make me like one of your hired servants."
It's a good speech. Humble. Honest. But he never gets to finish it.
## The Father Who Ran
Here's where the story becomes scandalous.
The father has been watching. Every day, he's been looking down that road, hoping to see a familiar silhouette on the horizon. When he finally spots his son—still far off, still covered in the filth of the pig pen—he does something no respectable Middle Eastern patriarch would ever do.
He runs.
Middle Eastern men of status didn't run. It was undignified. It required hiking up your robes, exposing your legs, looking foolish. But this father doesn't care about dignity. He cares about his son.
He runs, and when he reaches him, he throws his arms around him and kisses him. Before the son can even finish his prepared confession, the father is shouting orders to servants: "Bring the best robe—put it on him! Put a ring on his finger and sandals on his feet! Kill the fatted calf!"
Each element carries profound meaning. The robe symbolizes restoration and covering of shame—salvation itself. The ring represents restored authority as a son, not a servant. The sandals signify family status; servants went barefoot. And the fatted calf? That's not a last-minute decision. You don't fatten a calf overnight. The father had been planning this celebration, believing his son would return.
This is the heart of God toward those who return to Him—not judgment, not "I told you so," but extravagant, prepared-in-advance, no-expense-spared celebration.
## The Son Who Stayed Home
But the story doesn't end there, and this is where it gets really uncomfortable for those of us who consider ourselves "good people."
The older brother returns from working in the fields and hears music and dancing. When he learns the reason for the party, he refuses to go in. He's furious.
Listen to his complaint: "Look, these many years I have served you, and I never disobeyed your command, yet you never gave me a young goat, that I might celebrate with my friends. But when this son of yours came, who has devoured your property with prostitutes, you killed the fatted calf for him!"
Notice what he reveals. He calls his sibling "this son of yours"—not "my brother." He accuses him of specific sins without evidence. And most tellingly, he describes his relationship with his father as service, not sonship. "I have served you," he says. He's been living like a hired hand in his father's house, motivated by duty and expectation of reward, not by love.
The father's response is tender: "Son, you are always with me, and all that is mine is yours."
Everything the older brother worked for was already his. He didn't need to earn it. But he'd spent years in bitter resentment, faithfully going through the motions while his heart remained far from his father.
## Two Sons, One Problem
Here's the stunning truth: both sons were lost. One was lost in rebellion, the other in religion. One was lost in a distant country, the other in his father's house. One wasted his father's possessions, the other wasted his father's presence.
And the father's grace extends to both.
This is the scandal of grace. It's freely offered to the rebellious sinner who returns covered in shame. And it's freely offered to the resentful religious person who's been serving faithfully but joylessly. Neither earns it. Both need it desperately.
## The Heart of the Matter
The parable forces us to ask ourselves hard questions. Which son are we? Are we the prodigal who needs to come home? Or are we the older brother who's been home all along but never really understood what it meant to be a son or daughter?
It's possible to serve God faithfully for years while harboring resentment in our hearts. It's possible to do all the right things for all the wrong reasons. It's possible to be outwardly obedient while inwardly bitter.
True grace—amazing grace—is always a gift, never earned. It meets us in our rebellion and in our self-righteousness. It runs toward us when we're still far off. It celebrates our return before we finish our confessions.
The question isn't whether we deserve it. None of us do. The question is whether we'll receive it—whether we'll let the Father place the robe on our shoulders, the ring on our finger, and welcome us to the feast.
The music is playing. The celebration has begun. Will you come in?
## An Unlikely Audience
Picture the scene: tax collectors and sinners gathered close, leaning in to hear words of hope. Meanwhile, religious leaders—Pharisees and scribes—stood at a distance, arms crossed, faces tight with disapproval. This mixed crowd would hear three connected stories about lostness and finding, each one building toward a crescendo of grace that would challenge everyone listening.
## Three Pictures of Pursuit
The first story is simple: a shepherd with a hundred sheep loses one and leaves the ninety-nine to search for it. When he finds it, he throws a party. Heaven itself, we're told, erupts in celebration when a single sinner repents.
The second story follows similar lines: a woman loses one of ten coins and turns her house upside down until she finds it. Again, there's rejoicing—not just personal relief, but cosmic celebration.
Both stories establish a crucial truth: God pursues the lost, even when it's inconvenient, even when it seems disproportionate, even when the cost appears too high.
But the third story goes deeper.
## The Son Who Ran Away
The younger of two sons does the unthinkable. In Middle Eastern culture, asking for your inheritance while your father still lives is essentially saying, "I wish you were dead." It's not just disrespectful; it's a complete severing of relationship. Yet the father grants the request.
The young man takes everything and leaves. He travels to a distant country and burns through his inheritance in wild, reckless living. When the money runs out, so do his friends. A famine strikes. He ends up feeding pigs—a job so degrading for a Jewish person that it's hard to overstate the depths of his fall.
Hungry, desperate, and alone, something shifts. The text says "he came to himself"—a beautiful phrase suggesting that sin is a kind of insanity, a departure from our true identity. In that moment of clarity, he realizes that even his father's hired servants live better than he does now.
He rehearses a speech: "Father, I have sinned against heaven and before you. I am no longer worthy to be called your son. Make me like one of your hired servants."
It's a good speech. Humble. Honest. But he never gets to finish it.
## The Father Who Ran
Here's where the story becomes scandalous.
The father has been watching. Every day, he's been looking down that road, hoping to see a familiar silhouette on the horizon. When he finally spots his son—still far off, still covered in the filth of the pig pen—he does something no respectable Middle Eastern patriarch would ever do.
He runs.
Middle Eastern men of status didn't run. It was undignified. It required hiking up your robes, exposing your legs, looking foolish. But this father doesn't care about dignity. He cares about his son.
He runs, and when he reaches him, he throws his arms around him and kisses him. Before the son can even finish his prepared confession, the father is shouting orders to servants: "Bring the best robe—put it on him! Put a ring on his finger and sandals on his feet! Kill the fatted calf!"
Each element carries profound meaning. The robe symbolizes restoration and covering of shame—salvation itself. The ring represents restored authority as a son, not a servant. The sandals signify family status; servants went barefoot. And the fatted calf? That's not a last-minute decision. You don't fatten a calf overnight. The father had been planning this celebration, believing his son would return.
This is the heart of God toward those who return to Him—not judgment, not "I told you so," but extravagant, prepared-in-advance, no-expense-spared celebration.
## The Son Who Stayed Home
But the story doesn't end there, and this is where it gets really uncomfortable for those of us who consider ourselves "good people."
The older brother returns from working in the fields and hears music and dancing. When he learns the reason for the party, he refuses to go in. He's furious.
Listen to his complaint: "Look, these many years I have served you, and I never disobeyed your command, yet you never gave me a young goat, that I might celebrate with my friends. But when this son of yours came, who has devoured your property with prostitutes, you killed the fatted calf for him!"
Notice what he reveals. He calls his sibling "this son of yours"—not "my brother." He accuses him of specific sins without evidence. And most tellingly, he describes his relationship with his father as service, not sonship. "I have served you," he says. He's been living like a hired hand in his father's house, motivated by duty and expectation of reward, not by love.
The father's response is tender: "Son, you are always with me, and all that is mine is yours."
Everything the older brother worked for was already his. He didn't need to earn it. But he'd spent years in bitter resentment, faithfully going through the motions while his heart remained far from his father.
## Two Sons, One Problem
Here's the stunning truth: both sons were lost. One was lost in rebellion, the other in religion. One was lost in a distant country, the other in his father's house. One wasted his father's possessions, the other wasted his father's presence.
And the father's grace extends to both.
This is the scandal of grace. It's freely offered to the rebellious sinner who returns covered in shame. And it's freely offered to the resentful religious person who's been serving faithfully but joylessly. Neither earns it. Both need it desperately.
## The Heart of the Matter
The parable forces us to ask ourselves hard questions. Which son are we? Are we the prodigal who needs to come home? Or are we the older brother who's been home all along but never really understood what it meant to be a son or daughter?
It's possible to serve God faithfully for years while harboring resentment in our hearts. It's possible to do all the right things for all the wrong reasons. It's possible to be outwardly obedient while inwardly bitter.
True grace—amazing grace—is always a gift, never earned. It meets us in our rebellion and in our self-righteousness. It runs toward us when we're still far off. It celebrates our return before we finish our confessions.
The question isn't whether we deserve it. None of us do. The question is whether we'll receive it—whether we'll let the Father place the robe on our shoulders, the ring on our finger, and welcome us to the feast.
The music is playing. The celebration has begun. Will you come in?
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